Sachin Tendulkars portrait unveiled in MCC Museum at Lords

The portrait, which has been painted by Stuart Pearson Wright from {a photograph} taken by the artist at his dwelling 18 years in the past, will stay within the MCC Museum till later this yr and can then be relocated to the Pavilion.

“As the work progressed, so did Pearson Wright’s approach, eventually ending with oil on abraded aluminium. The abstract background illustrates Tendulkar’s timelessness, unrestricted by any era or specific location,” a launch mentioned.

Pearson Wright has beforehand painted portraits of Kapil Dev, Bishan Singh Bedi, and Dilip Vengsarkar.

Tendulkar was quoted as saying, “It’s a huge honour. In 1983, when India won the World Cup, it was my first introduction to Lord’s.” “I saw our captain, Kapil Dev, lift the trophy. That moment sparked my cricketing journey. Today, with my portrait going up inside the Pavilion, feels like it’s come full circle. When I reflect on my career, it brings a smile to my face. This is truly special.”

“Unlike the previous paintings, which were full-length, the portrait of Tendulkar is a larger-than-life image of his head and shoulders,” the discharge added.

“The Lord’s Portrait Programme has been working in its present kind for 3 a long time, however MCC has been accumulating artwork and artefacts because the Victorian interval, opening a devoted museum within the Nineteen Fifties making it the oldest sporting museum in Europe.

“The Long Room Gallery is the oldest and most iconic gallery in sport. The Club currently houses around 3,000 pictures, nearly 300 of which are portraits.”

Pearson Wright mentioned: “It was clear that MCC didn’t want this portrait to be in the same format as the previous Indian cricket portraits I made, so a fresh approach was taken with this one.”

“I decided on a composition which focused more on Sachin’s head and also using a heroic larger-than-lifesize scale to give the painting a sense of gravitas and power.”

“I have often painted a portrait with an abstract background, often a plain colour, rather than paint a rendition of an interior or exterior space. This is largely to give focus to the subject’s features and to minimise a context which might define the subject in some way.”